Piece of the week – A Summer Garland

As we approach the Summer Solstice, I’ve chosen A Summer Garland for this week’s piece. A suite of songs for SATB unaccompanied, it was commissioned by The Waltham Singers in 2002 as part of a project designed to celebrate the Queen’s Golden Jubilee – as well as writing the piece I also led composition workshops in Essex schools, and the resulting student compositions were performed alongside my piece, in concerts in Great Waltham and Dedham.

A Summer Garland has five movements, which can also all be performed separately.
The first, May, Queen of blossoms, sets a poem by the early 19th-centruy poet Edward Thurlow: it anticipates Summer with blossom, bees, and bird-song.
It is followed by The Rose in June (poem by Thomas Howell, 17th cent.) – rich harmonies depict the ‘mildest month of June’ which is also the ‘lustiest time’ – and a final key-change introduces the ‘beauteous red rose’.
I had a lot of fun writing the third song, Busy Fly, and the words of the 18th-century William Oldys gave rise to many effects and buzzes!
Calmness is restored in the expressive July Evening (Lewis Carroll), ending with the words ‘Life, what is it but a dream?’.
Finally, Summer Queen brings celebration with a poem by Thomas Dekker (17th cent.) in which a country fair welcomes the holiday season with dancing and singing.

A Summer Garland has been performed by quite a few choirs, and this summer they include The Kelvedon Singers (Essex) and Capella Nova (Bath).
Here’s a link to the first performance on YouTube  I hope you enjoy it!
And here’s a link to the publisher

Piece of the Week: Three Blues for clarinet and piano

I wrote Three Blues over twenty years ago for three clarinettist colleagues at Colchester Institute, all of whom taught clarinet to the degree and post-graduate students at that time, and they attempted to capture something of the character of the three performers:
Carefree Blues is designed to capture the easy-going character of Stuart Allen: Meditative Blues shows Charles Hine in reflective and sombre mood, and Agile Blues depicts the late Angela Fussell, who was always rushing from place to place in her busy life, and very keen on her students playing scales!
They are not really blues in the traditional sense, but they feature much of the characteristic blues harmony with the occasional hint (in Agile Blues) of the 12-bar blues shape.
I had a lot of fun writing them, and they are quite often performed. In fact the next performance is Saturday 17th June, 3 pm., Castle Methodist Church in Colchester, alongside a number of other works by Essex composers.

Here is a link to a performance on Youtube

And here is a link to the publisher, Spartan Press, who also publish a version for Eb saxophone and piano.